Triads (Dreiklänge): • Dur-Dreiklänge • Moll-Dreiklänge • verm. Dreiklänge • Triads im Diskant

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Moll-Dreiklänge (Minor-Triads)

Die Positionen der Triads lassen sich nicht ganz so leicht von den Akkordformen des CAGED-Systems ableiten. Bei einigen Intervallen muss man die Finger über vier Bünde spreizen. Bei einfachen Triads mag dieses noch praktikabel sein, aber bei vollen Akkorden über mehrere Saiten verzichtet man in der Praxis darauf. Man begnügt sich mit den wenigen praktikablen Formen, oder man fügt eine kleine Septime (7) ein, damit der Fingersatz auch greifbar ist. ^[1]

$<< \new ChordNames { \chordmode { a1:m/e a:m/c a:m a:m7 a:m7 a:m a:m a:m/c }} \new FretBoards { \override FretBoards.FretBoard.size = #'1.5 \override FretBoard.fret-diagram-details.finger-code = #'in-dot \override FretBoard.fret-diagram-details.number-type = #'roman-upper \override FretBoard.fret-diagram-details.dot-color = #'white \override FretBoard.fret-diagram-details.orientation = #'landscape < e, a, e-2 a-3 c'-1 e' > % Am/E < c-4 e-2 a-3 c'-1 e' > % Am/E < a,-3 c-2 e-1 c'-4 e'-4 a'-4 > % Am < a,\6-1 g\4-2 c'\3-3 e'\2-4 > % Am7 < a,\6-1 g\4-2 c'\3-3 e'\2-4 a'\1-4 > % Am7 < a,\6-1 e\5-3 a\4-4 c'\3-1 e'\2-1 a'\1-1 > % Am7 < a\4-1 e'\3-3 a'\2-4 c''\1-2 > % Am < c'\4-3 e'\3-2 a'\2-4 c''\1-1 > % Am\C } >>$

$\version "2.14.2" \markup { \override #'(size . 2) { \override #'(fret-diagram-details . ( (orientation . #'landscape ) (finger-code . #'in-dot ) (dot-color . #'black) (dot-radius . 0.4) (dot-position . 0.5) (top-fret-thickness . 6) (fret-count . 11) (number-type . roman-upper) )) \fret-diagram-verbose #'( (place-fret 1 0 5 ) (place-fret 1 5 1) (place-fret 1 8 "3b") (place-fret 1 12 5 ) (place-fret 2 1 "3b" ) (place-fret 2 5 5 ) (place-fret 2 10 1 ) (place-fret 2 13 "3b" ) (place-fret 3 2 1 ) (place-fret 3 5 "3b" ) (place-fret 3 9 5 ) (place-fret 3 12 7 darkgreen ) (place-fret 4 2 5 ) (place-fret 4 5 7 darkgreen ) (place-fret 4 7 1 ) (place-fret 4 10 "3b" ) (place-fret 5 0 1 ) (place-fret 5 3 "3b" ) (place-fret 5 7 5 ) (place-fret 5 12 1 ) (place-fret 6 0 5 ) (place-fret 6 5 1 ) (place-fret 6 8 "3b" ) (place-fret 6 12 5 ) ) }} \paper{ indent=0\mm line-width=180\mm oddFooterMarkup=##f oddHeaderMarkup=##f bookTitleMarkup = ##f scoreTitleMarkup = ##f}$

Major-Triads auf den unteren drei Saiten

$<< \new ChordNames { \chordmode { a1:m a:m/e a:m/c a:m }} \new FretBoards { \override FretBoards.FretBoard.size = #'1.5 \override FretBoard.fret-diagram-details.finger-code = #'in-dot \override FretBoard.fret-diagram-details.number-type = #'roman-upper \override FretBoard.fret-diagram-details.dot-color = #'white \override FretBoard.fret-diagram-details.orientation = #'landscape < a-2 c'-1 e' > % Am < c'-2 e'-3 a'-4 > % Am/C < e'\3-2 a'\2-3 c''\1-1 > % Am/E < a'-3 c''-2 e''-1 > % Am } >>$

$\version "2.14.2" \markup { \override #'(size . 2) { \override #'(fret-diagram-details . ( (orientation . #'landscape ) (finger-code . #'in-dot ) (dot-color . #'black) (dot-radius . 0.4) (dot-position . 0.5) (top-fret-thickness . 6) (fret-count . 13) (number-type . roman-upper) )) \fret-diagram-verbose #'( (place-fret 1 0 5 ) (place-fret 1 5 1) (place-fret 1 8 "3b") (place-fret 1 12 5 ) (place-fret 2 1 "3b" ) (place-fret 2 5 5 ) (place-fret 2 10 1 ) (place-fret 2 13 "3b" ) (place-fret 3 2 1 ) (place-fret 3 5 "3b" ) (place-fret 3 9 5 ) (place-fret 3 14 1 ) ) }} \paper{ indent=0\mm line-width=180\mm oddFooterMarkup=##f oddHeaderMarkup=##f bookTitleMarkup = ##f scoreTitleMarkup = ##f}$

Minor Triads auf den Saiten D G B

$<< \new ChordNames { \chordmode { a1:m a:m/e a:m/c a:m }} \new FretBoards { \override FretBoards.FretBoard.size = #'1.5 \override FretBoard.fret-diagram-details.finger-code = #'in-dot \override FretBoard.fret-diagram-details.number-type = #'roman-upper \override FretBoard.fret-diagram-details.dot-color = #'white \override FretBoard.fret-diagram-details.orientation = #'landscape < e\4-2 a\3-3 c'\2-1 > % Am/E < a\4-3 c'\3-2 e'\2-1 > % Am < c'\4-2 e'\3-1 a'\2-3 > % Am/C < e'\4-2 a'\3-3 c''\2-1 > % Am/E } >>$

$\version "2.14.2" \markup { \override #'(size . 2) { \override #'(fret-diagram-details . ( (orientation . #'landscape ) (finger-code . #'in-dot ) (dot-color . #'black) (dot-radius . 0.4) (dot-position . 0.5) (top-fret-thickness . 6) (fret-count . 11) (number-type . roman-upper) )) \fret-diagram-verbose #'( (place-fret 2 1 "3b" ) (place-fret 2 5 5 ) (place-fret 2 10 1 ) (place-fret 2 13 "3b" ) (place-fret 3 2 1 ) (place-fret 3 5 "3b" ) (place-fret 3 9 5 ) (place-fret 4 2 5 ) (place-fret 4 7 1 ) (place-fret 4 10 "3b" ) ) }} \paper{ indent=0\mm line-width=180\mm oddFooterMarkup=##f oddHeaderMarkup=##f bookTitleMarkup = ##f scoreTitleMarkup = ##f}$

Minor Triads auf den Saiten A D G B

$<< \new ChordNames { \chordmode { a1:m a:m/e a:m/c a:m }} \new FretBoards { \override FretBoards.FretBoard.size = #'1.5 \override FretBoard.fret-diagram-details.finger-code = #'in-dot \override FretBoard.fret-diagram-details.number-type = #'roman-upper \override FretBoard.fret-diagram-details.dot-color = #'white \override FretBoard.fret-diagram-details.orientation = #'landscape < c\5-2 e\4-1 a\3-1 > % Am/C < e\5-2 a\4-3 c'\3-1 > % Am/E < a\5-4 c'\4-2 e'\3-1 > % Am < c'\5-3 e'\4-1 a'\3-2 > % Am/C } >>$

$\version "2.14.2" \markup { \override #'(size . 2) { \override #'(fret-diagram-details . ( (orientation . #'landscape ) (finger-code . #'in-dot ) (dot-color . #'black) (dot-radius . 0.4) (dot-position . 0.5) (top-fret-thickness . 6) (fret-count . 11) (number-type . roman-upper) )) \fret-diagram-verbose #'( (place-fret 3 2 1 ) (place-fret 3 5 "3b" ) (place-fret 3 9 5 ) (place-fret 4 2 5 ) (place-fret 4 7 1 ) (place-fret 4 10 "3b" ) (place-fret 5 0 1 ) (place-fret 5 3 "3b" ) (place-fret 5 7 5 ) (place-fret 5 12 1 ) ) }} \paper{ indent=0\mm line-width=180\mm oddFooterMarkup=##f oddHeaderMarkup=##f bookTitleMarkup = ##f scoreTitleMarkup = ##f}$

Minor Triads auf den oberen drei Saiten

$<< \new ChordNames { \chordmode { a1:m a:m/c a:m/e a:m }} \new FretBoards { \override FretBoards.FretBoard.size = #'1.5 \override FretBoard.fret-diagram-details.finger-code = #'in-dot \override FretBoard.fret-diagram-details.number-type = #'roman-upper \override FretBoard.fret-diagram-details.dot-color = #'white \override FretBoard.fret-diagram-details.orientation = #'landscape < a,\6-4 c\5-2 e\4-1 > % Am < c\6-2 e\5-1 a\4-1 > % Am/C < e\6-3 a\5-4 c'\4-1 > % Am/E < a\6-4 c'\5-2 e'\4-1 > % Am } >>$

$\version "2.14.2" \markup { \override #'(size . 2) { \override #'(fret-diagram-details . ( (orientation . #'landscape ) (finger-code . #'in-dot ) (dot-color . #'black) (dot-radius . 0.4) (dot-position . 0.5) (top-fret-thickness . 6) (fret-count . 11) (number-type . roman-upper) )) \fret-diagram-verbose #'( (place-fret 4 2 5 ) (place-fret 4 7 1 ) (place-fret 4 10 "3b" ) (place-fret 5 0 1 ) (place-fret 5 3 "3b" ) (place-fret 5 7 5 ) (place-fret 5 12 1 ) (place-fret 6 0 5 ) (place-fret 6 5 1 ) (place-fret 6 8 "3b" ) (place-fret 6 12 5 ) ) }} \paper{ indent=0\mm line-width=180\mm oddFooterMarkup=##f oddHeaderMarkup=##f bookTitleMarkup = ##f scoreTitleMarkup = ##f}$

↑ Die kleine Septime (7) hat bei Mollakkorden keinen Einfluss auf die Funktion. D.h. sie kann in jeder Akkordfunktion eines Mollakkords problemlos in Erscheinung treten.

[1] Die kleine Septime (7) hat bei Mollakkorden keinen Einfluss auf die Funktion. D.h. sie kann in jeder Akkordfunktion eines Mollakkords problemlos in Erscheinung treten.

[1]