Gitarre: Schlagmuster erarbeiten Bonus

Navigation: Gitarre • Rockdiplom
Abschnitte: I. Einführung • II. Barré • III Schlagmuster • IV Powerchords • V. Repertoire • VI. Anhang
Schlagmuster: Schlagmuster erarbeiten • Schlagmuster 9000 • Countryschlag Variationen • Balladenschlag Variationen • Samba-Rhythmen Bonus

Spicks & Specks (Bee Gees)

Nachdem du den Quintfall als Barré kennst, lässt sich die leicht abgewandelte Pachelbel-Folge leichter als eine Abfolge von Quinten (5) und Sekunden (2) um als Schluß eine II-V-I-Verbindung (dem kleinen Bruder der Quintfallsequenz) lernen.

YT Spicks & Specks (Bee Gees)

$\version "2.20.0" \header { title="Spicks & Specks (Bee Gees)" subtitle="in G" encoder="mjchael" } \score { << \new ChordNames { \chordmode { g1 d e:m b:m \break c g a:m d:7 }} \new FretBoards { \override FretBoards.FretBoard.size = #'1.5 \override FretBoard.fret-diagram-details.finger-code = #'in-dot \override FretBoard.fret-diagram-details.dot-color = #'white \override FretBoard.fret-diagram-details.orientation = #'landscape < g,-1 d-3 g-4 b-2 d'-1 g'-1>1 % G < d-1 a-2 d'-3 fis'-4 a'-1>1 % D < e-1 b-3 e'-4 g'-2 b'-1 > % Em < b,-1\6 fis-3\5 b-4\4 d'-1\3 fis'-1\2 b'-1\1 > % Bm < c\5-1 g\4-2 c'\3-3 e'\2-2 g'-1 > % C < g,-1 d-3 g-4 b-2 d'-1 g'-1>1 % G < a,-1\6 e-3\5 a-4\4 c'-1\3 e'-1\2 a'-1\1 > % Am < d-1 a-2 c'-1 fis'-4 a'-1>1 % D7 } >> } \score { \new Voice \with { \consists "Pitch_squash_engraver" }{ \set Staff.midiInstrument = "acoustic guitar (nylon)" \improvisationOn \override NoteHead.X-offset = 0 g4 \downbow %1 g4 \downbow %2 g4 \downbow %3 g4 \downbow %4 g4 \downbow %1 g4 \downbow %2 g4 \downbow %3 g4 \downbow %4 }\addlyrics { "1 ." "2 ." "3 . " "4 . " "+ . " "1 ." "2 ." "3 . " "4 . " "+ . " } \layout{} } \score { << % midi \tempo 4 = 120 \time 4/4 \key g \major \set Staff.midiInstrument = #"acoustic guitar (nylon)" { %% Intro \unfoldRepeats \repeat volta 4 { < g-4 b-2 d'-1 g'-1>4 4 4 8 < g,-1 d-3 g-4> % G } \unfoldRepeats \repeat volta 4 { < g,-1 d-3 g-4 b-2 d'-1 g'-1> 4 4 4 4 % G % < d-1 a-2 d'-3 fis'-4 a'-1>4 4 4 4 % D % < e-1 b-3 e'-4 g'-2 b'-1> 4 4 4 4 % Em % < b,-1\6 fis-3\5 b-4\4 d'-1\3 fis'-1\2 b'-1\1 > 4 4 4 4 % Bm < c-1 g-3 c'-4 e'-2 g'-1 c''-1 > 4 4 4 4 % C % < g,-1 d-3 g-4 b-2 d'-1 g'-1> 4 4 4 4 % G % < a,-1\6 e-3\5 a-4\4 c'-1\3 e'-1\2 a'-1\1 > 4 4 4 4 % Am % < d-1 a-2 c'-1 fis'-4 a'-1> 4 4 4 4 % D7 < g,-1 d-3 g,-1 d-3 g-4 b-2 d'-1 g'-1>4 4 % G < d-1 a-2 c'-1 fis'-4 a'-1> 4 4 % D7 } < g,-1 d-3 g,-1 d-3 g-4 b-2 d'-1 g'-1>4 4 % G < es-1 bes-2 des'-1 g'-4 bes'-1> 4 4 % D7 } >> \midi{} } \paper { indent=0\mm line-width=80\mm oddFooterMarkup=##f oddHeaderMarkup=##f % bookTitleMarkup=##f scoreTitleMarkup=##f }$

Hat man die Akkordfolge einmal mit Barré-Akkorden verinnerlicht, fällt es leicht, diese einfach um einen Bund weiterzuschieben.

$\version "2.20.0" \header { title="Spicks & Specks (Bee Gees)" subtitle="in Ab" encoder="mjchael" } \score { << \new ChordNames { \chordmode { as1 es f:m c:m \break des as bes:m es:7 }} \new FretBoards { \override FretBoards.FretBoard.size = #'1.5 \override FretBoard.fret-diagram-details.finger-code = #'in-dot \override FretBoard.fret-diagram-details.dot-color = #'white \override FretBoard.fret-diagram-details.orientation = #'landscape < as,-1 es-3 as-4 c'-2 es'-1 as'-1>1 % Ab < es-1 bes-2 es'-3 g'-4 bes'-1>1 % Es < f-1 c'-3 f'-4 as'-2 c''-1 > % Fm < c-1\6 g-3\5 c'-4\4 es'-1\3 g'-1\2 c''-1\1 > % Cm < des\5-1 as\4-2 des'\3-3 f'\2-2 as'\1-1 > % Db < as,-1 es-3 as-4 c'-2 es'-1 as'-1>1 % As < bes,-1\6 f-3\5 bes-4\4 des'-1\3 f'-1\2 bes'-1\1 > % Am < es-1 bes-2 des'-1 g'-4 bes'-1>1 % Eb7 } >> } \score { \new Voice \with { \consists "Pitch_squash_engraver" }{ \set Staff.midiInstrument = "acoustic guitar (nylon)" \improvisationOn \override NoteHead.X-offset = 0 g4 \downbow %1 g4 \downbow %2 g4 \downbow %3 g4 \downbow %4 g4 \downbow %1 g4 \downbow %2 g4 \downbow %3 g4 \downbow %4 }\addlyrics { "1 ." "2 ." "3 . " "4 . " "+ . " "1 ." "2 ." "3 . " "4 . " "+ . " } \layout{} } \score { << % midi \tempo 4 = 120 \time 4/4 \key g \major \set Staff.midiInstrument = #"acoustic guitar (nylon)" { \unfoldRepeats \repeat volta 4 { < as,-1 es-3 as-4 c-2 es'-1 as'-1> 4 4 4 4 % Ab % < es-1 bes-2 es'-3 g'-4 bes'-1>4 4 4 4 % Es % < f-1 c-3 f'-4 as'-2 c'-1 > 4 4 4 4 % Fm % < c,-1\6 g-3\5 c-4\4 es'-1\3 g'-1\2 c'-1\1 > 4 4 4 4 % Cm < des-1 as-3 des'-4 f'-2 as'-1 des''-1 > 4 4 4 4 % Des % < as,-1 es-3 as-4 c-2 es'-1 as'-1> 4 4 4 4 % Ab % < bes,-1\6 f-3\5 bes-4\4 des'-1\3 f'-1\2 bes'-1\1 > 4 4 4 4 % Bbm % < es-1 bes-2 des'-1 g'-4 bes'-1> 4 4 4 4 % Eb7 < as,-1 es-3 as-4 c-2 es'-1 as'-1>4 4 % Ab < es-1 bes-2 des'-1 g'-4 bes'-1> 4 4 % Eb7 } < g,-1 d-3 g,-1 d-3 g-4 b-2 d'-1 g'-1>4 4 % G < e-1 b-2 d'-1 gis'-4 b-1> 4 4 % E7 } >> \midi{} } \paper { indent=0\mm line-width=80\mm oddFooterMarkup=##f oddHeaderMarkup=##f % bookTitleMarkup=##f scoreTitleMarkup=##f }$

Feel (Robbie Williams)

Rhytmusstudie. Die Akkordfolge kann mit Capo im 5. Bund gespielt werden. Es ist nur ein vereinfachter Ausschnitt. Die Dämpfungen sollen das Erfassen der 3-3-3-3-2-2-Struktur erleichtern.

$\version "2.20.0" \header { title="Feel" subtitle="Rhythmus 924A" subsubtitle="33-33-22-Schema" encoder="mjchael" } myKey = { \tempo 4 = 130 \time 4/4 \key e \major \set Staff.midiInstrument = #"electric guitar (muted)" } clean = {\set Staff.midiInstrument = #"electric guitar (clean)" \once \deadNotesOff} muted = { \set Staff.midiInstrument = #"electric guitar (muted)" \deadNotesOn} myAm = { \clean < a, e a c' e'>8 \muted 8 8 \clean 8 | \muted 8 8 \clean 8 \muted 8 | 8 \clean 8 \muted 8 8 | \clean 8 \muted 8 \clean 8 \muted 8 } myC = { \clean < c e g c' e'>8 \muted 8 8 \clean 8 | \muted 8 8 \clean 8 \muted 8 | 8 \clean 8 \muted 8 8 | \clean 8 \muted 8 \clean 8 \muted 8 } myE = { \clean < e, b, e gis b e'>8 \muted 8 8 \clean 8 | \muted 8 8 \clean 8 \muted 8 | 8 \clean 8 \muted 8 8 | \clean 8 \muted 8 \clean 8 \muted 8 } myEsept = { \clean < e, b, e gis d' e'>8 \muted 8 8 \clean 8 | \muted 8 8 \clean 8 \muted 8 | 8 \clean 8 \muted 8 8 | \clean 8 \muted 8 \clean 8 \muted 8 } myDiskant = { \repeat volta 2 { \myAm \myC \myE \myEsept} } \score { << \new ChordNames { \chordmode { a1:m c e e:7 }} \new FretBoards { \override FretBoards.FretBoard.size = #'1.5 \override FretBoard.fret-diagram-details.finger-code = #'in-dot \override FretBoard.fret-diagram-details.dot-color = #'white \override FretBoard.fret-diagram-details.orientation = #'landscape < a, e-2 a-3 c'-1 e'>1 % Am < c-3 e-2 g c'-1 e'> % C < e, b,-2 e-3 gis-1 b e' > % E < e, b,-2 e-3 gis-1 d'-4 e' > % E7 } >> } \score { \new Voice \with { \consists "Pitch_squash_engraver" }{ \set Staff.midiInstrument = "acoustic guitar (nylon)" \improvisationOn \override NoteHead.X-offset = 0 \deadNotesOn \once \deadNotesOff cis 8 \downbow % 1 8 \upbow % + 8 \downbow % 2 \once \deadNotesOff 8 \upbow % + 8 \downbow % 3 8 \upbow % + \once \deadNotesOff 8 \downbow % 4 8 \upbow % + cis 8 \downbow % 1 \once \deadNotesOff 8 \upbow % + 8 \downbow % 2 8 \upbow % + \once \deadNotesOff 8 \downbow % 3 8 \upbow % + \once \deadNotesOff 8 \downbow % 4 8 \upbow % + }\addlyrics { "1" "." "." "+" "." "." "4" "." "." "+" "." "." "3" "." "4" "." } \layout{} } \score { << % midi \myKey { \unfoldRepeats \repeat volta 4 { \myDiskant } < cis-1 gis-3 cis'-4 e'-2 gis'-1>1 } >> \midi{} } \paper { indent=0\mm line-width=80\mm oddFooterMarkup=##f oddHeaderMarkup=##f % bookTitleMarkup=##f scoreTitleMarkup=##f }$

YT Feel (Robbie Williams)

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