Gitarre: Schlagmuster erarbeiten Bonus

Navigation: Gitarre • Rockdiplom
Abschnitte: I. Einführung • II. Barré • III Schlagmuster • IV Powerchords • V. Repertoire • VI. Anhang
Schlagmuster: Schlagmuster erarbeiten • Schlagmuster 9000 • Countryschlag Variationen • Balladenschlag Variationen • Samba-Rhythmen Bonus

Proud Mary

Dieser Abschnitt ist noch im Entstehen und noch nicht offizieller Bestandteil des Buchs. Gib den Autoren Zeit, den Inhalt anzupassen!

$\version "2.20.0" \header { title="Proud Mary (CCR)" subtitle="Rhytmus-Studie" encoder="mjchael" } \score { << \new ChordNames { \chordmode { c1 a:m f g \break d a b:m g }} \new FretBoards { \override FretBoards.FretBoard.size = #'1.5 \override FretBoard.fret-diagram-details.finger-code = #'in-dot \override FretBoard.fret-diagram-details.dot-color = #'white \override FretBoard.fret-diagram-details.orientation = #'landscape < c\5-1 g\4-2 c'\3-3 e'\2-2 g'\1-1 > % C < a,-1\6 e-3\5 a-4\4 c'-1\3 e'-1\2 a'-1\1 > % am < g,-1 d-3 g-4 b-2 d'-1 g'-1>1 % G < f,-1 c-3 f-4 a-2 c'-1 f'-1>1 % F %% < d\5-1 a\4-2 d'\3-3 fis'\2-2 a'\1-1 > % D < a,-1 e-3 a-4 cis'-2 e'-1 a'-1>1 % A < b,-1\6 fis-3\5 b-4\4 d'-1\3 fis'-1\2 b'-1\1 > % Bm < g,-1 d-3 g-4 b-2 d'-1 g'-1>1 % G } >> } \score { \new Voice \with { \consists "Pitch_squash_engraver" }{ \set Staff.midiInstrument = "acoustic guitar (nylon)" \improvisationOn \override NoteHead.X-offset = 0 %% C < c g c' e' g' >8 \downbow 8 \upbow 8 \downbow %% Am < a,-1\6 e-3\5 a-4\4 c'-1\3 e'-1\2 a''-1\1 >8~ \upbow 2 < c\5-1 g\4-2 c'\3-3 e'\2-2 g'\1-1 >8 \downbow 8 \upbow 8 \downbow %% Am < a,-1\6 e-3\5 a-4\4 c'-1\3 e'-1\2 a''-1\1 >8~ \upbow 2 < g, d g b d' g'>1 % G < f,-1 c-3 f-4 a-2 c'-1 f'-1>1 % F %% < d\5-1 a\4-2 d'\3-3 fis'\2-2 a'\1-1 > % D < a,-1 e-3 a-4 cis'-2 e'-1 a'-1>1 % A < b,-1\6 fis-3\5 b-4\4 d'-1\3 fis'-1\2 b''-1\1 > % Bm < g, d g b d' g'>1 % G g4 \downbow %4 < g, d g b d' g'>1 % G < d a d' fis' a'>1 % D < e b e' g' b' > % Em < b, fis b d' fis' b' > % Bm %% < c g c' e' g' > % C < g, d g b d' g'>1 % G < a, e a c' e' a' > % Am < d a c' fis' a'>1 % D7 }\addlyrics { "1 ." "2 ." "3 . " "4 . " "+ . " "1 ." "2 ." "3 . " "4 . " "+ . " } \layout{} } \score { << % midi \tempo 4 = 120 \time 4/4 \key g \major \set Staff.midiInstrument = #"acoustic guitar (nylon)" { \unfoldRepeats \repeat volta 4 { < as,-1 es-3 as-4 c-2 es'-1 as'-1> 4 4 4 4 % Ab % < es-1 bes-2 es'-3 g'-4 bes'-1>4 4 4 4 % Es % < f-1 c-3 f'-4 as'-2 c'-1 > 4 4 4 4 % Fm % < c,-1\6 g-3\5 c-4\4 es'-1\3 g'-1\2 c'-1\1 > 4 4 4 4 % Cm < des-1 as-3 des'-4 f'-2 as'-1 des''-1 > 4 4 4 4 % Des % < as,-1 es-3 as-4 c-2 es'-1 as'-1> 4 4 4 4 % Ab % < bes,-1\6 f-3\5 bes-4\4 des'-1\3 f'-1\2 bes'-1\1 > 4 4 4 4 % Bbm % < es-1 bes-2 des'-1 g'-4 bes'-1> 4 4 4 4 % Eb7 < as,-1 es-3 as-4 c-2 es'-1 as'-1>4 4 % Ab < es-1 bes-2 des'-1 g'-4 bes'-1> 4 4 % Eb7 } < g,-1 d-3 g,-1 d-3 g-4 b-2 d'-1 g'-1>4 4 % G < e-1 b-2 d'-1 gis'-4 b-1> 4 4 % E7 } >> \midi{} } \paper { indent=0\mm line-width=80\mm oddFooterMarkup=##f oddHeaderMarkup=##f % bookTitleMarkup=##f scoreTitleMarkup=##f }$

Feel (Robbie Williams)

Rhytmusstudie. Die Akkordfolge kann mit Capo im 5. Bund gespielt werden. Es ist nur ein vereinfachter Ausschnitt. Die Dämpfungen sollen das Erfassen der 3-3-3-3-2-2-Struktur erleichtern.

$\version "2.20.0" \header { title="Feel" subtitle="Rhythmus 924A" subsubtitle="33-33-22-Schema" encoder="mjchael" } myKey = { \tempo 4 = 130 \time 4/4 \key e \major \set Staff.midiInstrument = #"electric guitar (muted)" } clean = {\set Staff.midiInstrument = #"electric guitar (clean)" \once \deadNotesOff} muted = { \set Staff.midiInstrument = #"electric guitar (muted)" \deadNotesOn} myAm = { \clean < a, e a c' e' a'>8 \muted 8 8 \clean 8 | \muted 8 8 \clean 8 \muted 8 | 8 \clean 8 \muted 8 8 | \clean 8 \muted 8 \clean 8 \muted 8 } myC = { \clean < c g c' e' g'>8 \muted 8 8 \clean 8 | \muted 8 8 \clean 8 \muted 8 | 8 \clean 8 \muted 8 8 | \clean 8 \muted 8 \clean 8 \muted 8 } myE = { \clean < e, e b e' gis' b'>8 \muted 8 8 \clean 8 | \muted 8 8 \clean 8 \muted 8 | 8 \clean 8 \muted 8 8 | \clean 8 \muted 8 \clean 8 \muted 8 } myEsept = { \clean < e, e gis e' gis' b'>8 \muted 8 8 \clean 8 | \muted 8 8 \clean 8 \muted 8 | 8 \clean 8 \muted 8 8 | \clean 8 \muted 8 \clean 8 \muted 8 } myDiskant = { \repeat volta 2 { \myAm \myC \myE \myEsept} } \score { << \new ChordNames { \chordmode { a1:m c e e:7 }} \new FretBoards { \override FretBoards.FretBoard.size = #'1.5 \override FretBoard.fret-diagram-details.finger-code = #'in-dot \override FretBoard.fret-diagram-details.dot-color = #'white \override FretBoard.fret-diagram-details.orientation = #'landscape < a,-1 e-2 a-3 c'-1 e'-1 a'-1>1 % Am < c-1 g-2 c'-3 e'-4 g'-1> % C < e, e-1 b-2 e'-3 gis'-4 b'-1> % E < e, e-1 b-2 d'-1 gis'-4 b'-1>% E7 } >> } \score { \new Voice \with { \consists "Pitch_squash_engraver" }{ \set Staff.midiInstrument = "acoustic guitar (nylon)" \improvisationOn \override NoteHead.X-offset = 0 \deadNotesOn \once \deadNotesOff cis 8 \downbow % 1 8 \upbow % + 8 \downbow % 2 \once \deadNotesOff 8 \upbow % + 8 \downbow % 3 8 \upbow % + \once \deadNotesOff 8 \downbow % 4 8 \upbow % + cis 8 \downbow % 1 \once \deadNotesOff 8 \upbow % + 8 \downbow % 2 8 \upbow % + \once \deadNotesOff 8 \downbow % 3 8 \upbow % + \once \deadNotesOff 8 \downbow % 4 8 \upbow % + }\addlyrics { "1" "." "." "+" "." "." "4" "." "." "+" "." "." "3" "." "4" "." } \layout{} } \score { << % midi \myKey { \unfoldRepeats \repeat volta 4 { \myDiskant } < cis-1 gis-3 cis'-4 e'-2 gis'-1>1 } >> \midi{} } \paper { indent=0\mm line-width=80\mm oddFooterMarkup=##f oddHeaderMarkup=##f % bookTitleMarkup=##f scoreTitleMarkup=##f }$

YT Feel (Robbie Williams)

Royals (LORDE)

$\version "2.20.0" \header { title="Royals (LORDE) Chorus" subtitle="Reggae (Rhythmus 22)" encoder="mjchael" } myD = { r4 < d a d' fis'>4 r4 4 } myA = { r4 < a, e a cis' e'>4 r4 4 } myC = { r4 < c e g c' e'>4 r4 4 } myBm = { r4 < b, fis b d' fis'>4 r4 4 } myG = { r4 < g, d g b d' g'>4 r4 4 } myDiskant = { \repeat volta 2 { \myD \myD \myC \myG} } myBass = { \repeat volta 2 { d1 d c g, } } up = \drummode { hh8 8 8 8 | halfopenhihat openhihat hh8 8 } down = \drummode { <bd snare>4 sn bd sn4 } myDrum = { \new DrumStaff << \new DrumVoice { \voiceOne \repeat volta 8 {\up}} \new DrumVoice { \voiceTwo \repeat volta 8 {\down}} >> } \score { << \new ChordNames { \chordmode { d1 d c g }} \new FretBoards { \override FretBoards.FretBoard.size = #'1.5 \override FretBoard.fret-diagram-details.finger-code = #'in-dot \override FretBoard.fret-diagram-details.dot-color = #'white \override FretBoard.fret-diagram-details.orientation = #'landscape < d a-1 d'-3 fis'-2> % D < d a-1 d'-3 fis'-2> % D % < a, e-1 a-2 cis'-3 e' > % A % < b,-1 fis-3 b-4 d'-2 fis'-1>1 % Bm < c-3 e-2 g c'-1 e'> %C < g,-1 d-3 g-4 b-2 d'-1 g'-1> % G } >> } \score { \new Voice \with { \consists "Pitch_squash_engraver" }{ \set Staff.midiInstrument = "acoustic guitar (nylon)" \improvisationOn \override NoteHead.X-offset = 0 r4 d4 \downbow % 2 r4 d4 \downbow % 4 r4 d4 \downbow % 2 r4 d4 \downbow % 4 }\addlyrics { ". . 2 . " ". . 4 . " ". . 2 . " ". . 4 . " } \layout{} } \score { << % midi \tempo 4 = 140 \time 4/4 \key d \major \set Staff.midiInstrument = #"acoustic guitar (nylon)" { \unfoldRepeats \repeat volta 16 { \myDiskant } < d a-1 d'-3 fis'-2>1 % D } \unfoldRepeats \repeat volta 32 { \myDrum } >> \midi{} } \paper { indent=0\mm line-width=80\mm oddFooterMarkup=##f oddHeaderMarkup=##f % bookTitleMarkup=##f scoreTitleMarkup=##f }$

YT Royals (LORDE)

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