Navigation: Gitarre | Rockdiplom
Abschnitte: I. Einführung • II. Barré • III Schlagmuster • IV Powerchords • V. Repertoire • VI. Anhang
Powerchord-Workshop: Powerchord-Workshop • 1. Powercord Songs • Vom Barré zum Powerchord • Powerchords beim Solo • Technik • Oktavgriffe • Powercords bei R'n'R • Powerchord-Rätsel

Powerchords beim Rock'n'Roll

$<< \new ChordNames { \chordmode { d2:5 a:5 e:5 b:5 d2:6 a:6 e:6 b:6 }} \new FretBoards { \override FretBoards.FretBoard.size = #'3 \override FretBoard.fret-diagram-details.finger-code = #'in-dot \override FretBoard.fret-diagram-details.dot-color = #'white \override FretBoard.fret-diagram-details.orientation = #'landscape < d-1\5 a-2\4 > % D5 < a,-1\6 e-2\5 > % A5 < e-1\5 b-2\4 > % E5 < b,-1\6 fis-2\5 > % B5 \break < d-1\5 b-4\4 > % D6 < a,-1\6 fis-4\5 > % A6 < e-1\5 cis'-4\4 > % E6 < b,-1\6 gis-4\5 > % B6 } >>$

1 = Zeigefinger, 3 = Ringfinger, 4 = kleiner Finger

8-taktiges Blues-Schema in A

A | A | D | A
E | D | A | E

Dieses Schema kannst du selbst in ein 12-Taktiges Blues-Schema erweitern.

A | A | A | A
D | D | A | A
E | D | A | E

$\version "2.20.0" \header { title="R'n'R in A" encoder="cc-by-sa Wikibooks (mjchael)" } myKey = { \tempo 4 = 100 %Tempo ausblenden \set Score.tempoHideNote = ##t \time 4/4 \key d \major \set Staff.midiInstrument = #"electric guitar (clean)" \mergeDifferentlyHeadedOn \clef "G_8" } myChords = \chordmode { %% Akkorde nur beim Wechsel Notieren \set chordChanges = ##t \times 2/3 { a4:5 a8:5} \times 2/3 { a4:6 a8:5} \times 2/3 { a4:5 a8:5} \times 2/3 { a4:6 a8:5} \times 2/3 { a4:5 a8:5} \times 2/3 { a4:6 a8:5} \times 2/3 { a4:5 a8:5} \times 2/3 { a4:6 a8:5} \times 2/3 { d4:5 d8:5} \times 2/3 { d4:6 d8:5} \times 2/3 { d4:5 d8:5} \times 2/3 { d4:6 d8:5} \times 2/3 { a4:5 a8:5} \times 2/3 { a4:6 a8:5} \times 2/3 { a4:5 a8:5} \times 2/3 { a4:6 a8:5} \times 2/3 { e4:5 e8:5} \times 2/3 { e4:6 e8:5} \times 2/3 { e4:5 e8:5} \times 2/3 { e4:6 e8:5} \times 2/3 { d4:5 d8:5} \times 2/3 { d4:6 d8:5} \times 2/3 { d4:5 d8:5} \times 2/3 { d4:6 d8:5} \times 2/3 { a4:5 a8:5} \times 2/3 { a4:6 a8:5} \times 2/3 { a4:5 a8:5} \times 2/3 { a4:6 a8:5} \times 2/3 { e4:5 e8:5} \times 2/3 { e4:6 e8:5} \times 2/3 { e4:5 e8:5} \times 2/3 { e4:6 e8:5} } myA = { \times 2/3 { <a,\6 e\5>4 <a,\6 e\5>8} \times 2/3 { <a,\6 fis\5>4 <a,\6 e\5> 8} } myD = { \times 2/3 { <d\5 a\4>4 <d\5 a\4>8} \times 2/3 { <d\5 b\4>4 <d\5 a\4>8} } myE = { \times 2/3 { <e\5 b\4>4 <e\5 b\4>8} \times 2/3 { <e\5 cis'\4>4 <e\5 b\4>8} } myGuitar = { \repeat volta 4 { \myA \myA \myA \myA \myD \myD \myA \myA \break \myE \myE \myD \myD \myA \myA \myE \myE } \mark "4x" } %% Layout \score { << \new ChordNames { \myChords } \new TabStaff { \tabFullNotation \repeat volta 4 << \myGuitar >> } >> \layout {} } %% Midiausgabe mit Wiederholungen, ohne Akkorde \score { << \unfoldRepeats { \new Staff << \myKey \repeat volta 4 \myGuitar8 >> }<a,\6 e\5>1 >> \midi {} } %% unterdrückt im raw="!"-Modus das DinA4-Format. \paper { indent=0\mm % DinA4 0 210mm - 10mm Rand - 20mm Lochrand = 180mm line-width=180\mm oddFooterMarkup=##f oddHeaderMarkup=##f % bookTitleMarkup=##f scoreTitleMarkup=##f }$

8-taktiges Blues-Schema in E

E | E | A | A
B | A | E | B

Dieses Schema kannst du selbst in ein 12-Taktiges Blues-Schema erweitern.

E | E | E | E
A | A | E | E
B | A | E | B

$\version "2.20.0" \header { title="R'n'R in A" encoder="cc-by-sa Wikibooks (mjchael)" } myKey = { \tempo 4 = 100 %Tempo ausblenden \set Score.tempoHideNote = ##t \time 4/4 \key d \major \set Staff.midiInstrument = #"electric guitar (clean)" \mergeDifferentlyHeadedOn \clef "G_8" } myChords = \chordmode { %% Akkorde nur beim Wechsel Notieren \set chordChanges = ##t \times 2/3 { e4:5 e8:5} \times 2/3 { e4:6 e8:5} \times 2/3 { e4:5 e8:5} \times 2/3 { e4:6 e8:5} \times 2/3 { e4:5 e8:5} \times 2/3 { e4:6 e8:5} \times 2/3 { e4:5 e8:5} \times 2/3 { e4:6 e8:5} \times 2/3 { a4:5 a8:5} \times 2/3 { a4:6 a8:5} \times 2/3 { a4:5 a8:5} \times 2/3 { a4:6 a8:5} \times 2/3 { e4:5 e8:5} \times 2/3 { e4:6 e8:5} \times 2/3 { e4:5 e8:5} \times 2/3 { e4:6 e8:5} \times 2/3 { b4:5 b8:5} \times 2/3 { b4:6 b8:5} \times 2/3 { b4:5 b8:5} \times 2/3 { b4:6 b8:5} \times 2/3 { a4:5 a8:5} \times 2/3 { a4:6 a8:5} \times 2/3 { a4:5 a8:5} \times 2/3 { a4:6 a8:5} \times 2/3 { e4:5 e8:5} \times 2/3 { e4:6 e8:5} \times 2/3 { e4:5 e8:5} \times 2/3 { e4:6 e8:5} \times 2/3 { b4:5 b8:5} \times 2/3 { b4:6 b8:5} \times 2/3 { b4:5 b8:5} \times 2/3 { b4:6 b8:5} } myE = { \times 2/3 { <e\5 b\4>4 <e\5 b\4>8} \times 2/3 { <e\5 cis'\4>4 <e\5 b\4>8} } myA = { \times 2/3 { <a,\6 e\5>4 <a,\6 e\5>8} \times 2/3 { <a,\6 fis\5> 4 <a,\6 e\5> 8} } myB = { \times 2/3 { <b,\6 fis\5>4 <b,\6 fis\5>8} \times 2/3 { <b,\6 gis\5>4 <b,\6 fis\5>8} } myGuitar = { \repeat volta 4 { \myE \myE \myE \myE \myA \myA \myE \myE \break \myB \myB \myA \myA \myE \myE \myB \myB } \mark "4x" } %% Layout \score { << \new ChordNames { \myChords } \new TabStaff { \tabFullNotation \repeat volta 4 << \myGuitar >> } >> \layout {} } %% Midiausgabe mit Wiederholungen, ohne Akkorde \score { << \unfoldRepeats { \new Staff << \myKey \repeat volta 4 \myGuitar8 >> }<e\5 b\4>1 >> \midi {} } %% unterdrückt im raw="!"-Modus das DinA4-Format. \paper { indent=0\mm % DinA4 0 210mm - 10mm Rand - 20mm Lochrand = 180mm line-width=180\mm oddFooterMarkup=##f oddHeaderMarkup=##f % bookTitleMarkup=##f scoreTitleMarkup=##f }$